If a Beauty as a Sexual Object part 1
If in fact, those of the puritanical ideas had no conception of sexuality, I do not believe they could have the will to rally against sex. Alas, I do not think these puritanical ideas have done much of anything to uplift the personality of goodness or the character of charity. The idea that sex is an evil is not a friend of the ideals of kindness, intelligence, or truth. These puritanical soldiers have done nothing but bog down the structure of civilization, waging a war against our own animal nature.

sexual object part 1
By seeing their own feelings of sexuality, experiencing the desires and urges, the thoughts and inhibitions, puritans find themselves villified with their own character, ashamed and mortified. I think that people manage to put anger, passion, and strong, powerful emotions into vengeance, when it is their own personal nature that they are attacking. The puritans have allowed themselves to be cruel, brutal, and absolutely cold blooded in their war against sex. As the blood running through civilization warmed, the extent to which they were allowed to fight has been limited and limited. Tortures and murders were an intrinsic part of the original Puritan culture, when it came to their attitude about punishing sex.
It is a rather popular statement, that beaty is in the eye of the beholder. No artwork exemplified beauty without an onlooker, no song brought forward melody without a listener, no poem created peacefulness or rage without a reader. We find, also, that just as beauty is in the eye of the beholder, so is ugliness in the eye of the beholder. The same artwork that was called beautiful by one may be called ugly, disgusting, or otherwise unappealing by another.
The only reason why something is appealing or unappealing, attractive or unattractive, is because there is a mind in the sensory organs there to judge. The ideas of what is or is not gorgeous, enchanting, homely, or wretched are all dependent upon the viewer. Then we apply these ideas to a person. One’s voice is seen as glorious in tone or rancid in quality. The face and body become a considerable work of art or a defaced panting, or something in between or to a more extreme. Judging a body and a face, though, as beautiful or ugly, is a much different action than judging a painting as either beautiful or ugly.
A person, unlike a painting or a poem, is conscious, capable of emotion and happiness. All of a sudden, their physical attributes become subject to criticism and judgment. The simple and obvious answer is for thepurpose of mating and procreation. Now that the reason for appeal or unappeal, in a person’s beauty anyway, has been uncovered, another question remains open. If a person’s outter shell can be judged as ugly or beautiful, by one person or another, and since this judgment does not help us to determine their character, should we disregard beauty and ugliness as a deferent to a person’s true self?


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